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A Gibson Lucille model semi-acoustic guitar, unique for having no f-holes. Lucille is the name American blues musician B. B. King (1925–2015) gave to his guitars. They were usually black Gibson guitars similar to the ES-330 or ES-355, and Gibson introduced a B.B. King custom model in 1980, based upon the latter.
Lucille is the fifteenth album by blues artist B. B. King. It is named for his famous succession of Gibson guitars, currently the Signature ES-355 . Professional ratings
Lucille & Friends is the thirty-fourth album by B.B. King released in 1995. On it, he is accompanied by major jazz , rock , and blues artists who collaborated on these songs over the past 25 years.
B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending , shimmering vibrato , and staccato picking that influenced many later electric guitar blues players.
Lucille Talks Back is an album by B. B. King, released in 1975. [2] B.B. King produced it himself and recorded it with his own orchestra. It is not to be confused with a compilation of the same name, released in 1988.
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998. [1]In the CD liner notes, B.B. King writes: "Of the many records Lucille and I have had the pleasure of recording over the years, this one is especially close to my heart.
"Nobody Loves Me But My Mother" (Riley King) "Sweet Sixteen" (Riley King, Joe Josea) "Rock Me Baby" (Riley King, Joe Josea) [4] Personnel. Bass Guitar – Michael Doster;