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This marked the first time a digital cinema camera was tested alongside leading stills cameras. [14] For economical reasons Scarlet-W and Dragon-X cameras have the same 6K Dragon sensor used in the original DSMC generation, [15] but only 5K image area of it is utilized in Scarlet-W. [16] Red Raven has a "hard" 4.5K sensor. [15]
First film shot with the Red One Camera: Che (2008) [4] First film shot with the Red One MX, and first film projected in 4K theatrical distribution: The Social Network (2010) [5] First film to be shot mainly with the Arri Alexa: Anonymous (2011) [6] First film to be shot mainly with the Red Epic Dragon and in 6K resolution: Gone Girl (2014) [7]
Camera Sensor size Crop factor [1] Lens Mount [2] Recording media [3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s −1) Arri: Alexa [4] Alexa Plus 23.76 x 13.37 mm 1.52 Arri PL: SxS card, T-link recorder (optional XR module upgrade) [5]
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In 2020, Red started to ship the "beta" stormtrooper white models of the Red Komodo to customers on the waitlist. The price for the beta cameras is $6,995, with the regular black shipping models for $5,995 (body only). The Komodo camera features 6K video, super 35 sensor, a Canon RF lens mount, a dual BP battery plate, and a global shutter. [30]
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Video cameras originally designed for television broadcast were large and heavy, mounted on special pedestals and wired to remote recorders in separate rooms. As technology improved, out-of-studio video recording was possible with compact video cameras and portable video recorders; a detachable recording unit could be carried to a shooting ...