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Most cathedrals and great churches have a cruciform groundplan. In churches of Western European tradition, the plan is usually longitudinal, in the form of the so-called Latin Cross, with a long nave crossed by a transept. The transept may be as strongly projecting as at York Minster or not project beyond the aisles as at Amiens Cathedral.
The cruciform plan was a landmark development in Christian architecture, because it replaced a basilica plan with a centralized shrine plan. [9] Dozens of cruciform church buildings of the late fourth and early fifth centuries were rough imitations of the Constantine-era Church of the Holy Apostles, such as St. Ambrose's Church of the Apostles ...
Combining Gothic Revival architecture with principles of Beaux-Arts planning, Maginnis proposed a vast complex of academic buildings set in a cruciform plan. The design suggested an enormous outdoor cathedral, with the long entry drive at the "nave," the main quadrangle at the "apse" and secondary quadrangles at the "transepts."
"The beautiful cruciform-plan interior is highlighted by both beamed and groin-vaulted ceilings, arcaded side aisles and mahogany paneling. The stained-glass windows cast a blue glow on the ...
The church is a fieldstone cruciform-plan structure with a hip roof. A square-plan, hip-roof bell tower at the front contains an entry vestibule. Both the church and tower are topped with a red ceramic tile roof. A 1954 addition is located in one corner of the church. [3]
The San Jose de Gracia Church, also known as Church of Santo Tomas Del Rio de Las Trampas, is a historic church on the main plaza of Las Trampas, New Mexico.Built between 1760 and 1776, it is one of the least-altered examples of a Spanish Colonial Pueblo mission church, with adobe walls rising 34 feet (10 m) in height.
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In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
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