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IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Gao Yuanyuan Florence Tan Phyllis Quek Zhang Guoli Zhang Tielin Elvis Tsui Wang Gang Chen Zihan Tao Hong: Opening theme: 1. Xin Ai (心愛) performed by Jin Xuefeng 2. Xuelai De Shihou (雪來的時候) performed by Alec Su (Taiwanese version) Ending theme: 1. Aishang Zhang Wuji (愛上張無忌) performed by Mao Amin 2.
In 2005, Zhou won the Anita Borg Early Career Award of the Computing Research Association. [10] She was awarded a Sloan Fellowship in 2007. [1] [11] In 2013, she was named a Fellow of the Association for Computing Machinery "for contributions to software reliability and quality", [12] [13] and in 2014, she was named a Fellow of the Institute of Electrical and Electronics Engineers "for ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Gao Yuanyuan (Chinese: 高圆圆; pinyin: Gāo yuányuán, born 5 October 1979) is a Chinese actress and model. [ 2 ] [ 3 ] She gained attention in 2000 for appearing in a commercial for Qingzui (Clear Mouth) lozenges, earning her the nickname "Clear-Mouth Girl."
Mo Shenggu (莫聲谷; Mò Shēnggǔ) is the youngest of the seven and the most hot-tempered one. He tries to discipline Song Qingshu after discovering the latter's voyeuristic attempts on Zhou Zhiruo and the Emei School's members. However, he is ambushed by Chen Youliang and accidentally killed by Song Qingshu.
The chord a minor third above, ♭ VII 7, may be substituted for the dominant, and may be preceded by its ii: iv 7. [16] Due to common use the two chords of the backdoor progression (IV 7-♭ VII 7) may be substituted for the dominant chord. [11] In C major the dominant would be G7: GBDF, sharing two common tones with B ♭ 7: B ♭ DFA ♭.
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