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Orange Amps went on to be a major international amplification company so Matamp has also become widely recognised due to this early collaboration with Orange. Their mixing console Matamp Stereo Supernova was named one of the world's best mixers by Mixmag in a 2012 list, [2] and features on the cover of the 2013 compilation album 12"/80s/Club ...
The amplifier was reissued for the first time in 1988 (the 1959S), and again from 1991 to 1993 (the 1959X) and from 1993 to 1995 (the 1959SLP). [1] The SLP continued after 1995 but in 2000 Marshall added modifications to lower the noise floor (hum balance pot), reverted the negative feedback resistor to the 1968-69 value of 47 kΩ, and added an effects loop.
Blackstar's alternative range to the HT Venue range - clearly designed for Metal music and play-styles. Heads come in 1, 5, and 100 watt formats, and 1, 5, and 60 watt in combo format. These amps carry the signature ISF and emulated output of Blackstar amps. The 1 and 5 watt formats have 2 channels, while the 60 and 100 watt formats have 3 ...
Starting in 1965 with the Traynor Hi-Tone, a 2x12 test guitar amp (of which only two were ever made) Pete Traynor began experimenting with guitar amp designs. The YGA-1 (a 45 watt amp head) and the YGM-1 (a 1x12 20 watt tube combo) were the first products of this research. Full production of these amps began in 1966, and the release of new ...
AHED Music Corporation, Ltd. was a Canadian company owned by Phil G. Anderson [1] that produced guitar amplifiers, as well as guitars.Its main product line was the GBX amplifier, which could reach 180 watts with 4x10", 4x12" or 2x15" speakers.
The two common guitar amplifier configurations are a combination ("combo") amplifier that includes an amplifier and one or more speakers in a single cabinet, and a standalone amplifier (often called a head or amp head), which passes the amplified signal via a speaker cable to one or more external speaker cabinets. A wide range of speaker ...
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Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [7] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...
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