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The following is a list of etchings by the Dutch painter and etcher Rembrandt, ... The Complete Etchings of Rembrandt Reproduced in Original Size, Gary Schwartz ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The drawing is related to the etching B338 : St. Paul in Meditation: c. 1629?? Musée du Louvre, Paris: Indented for transfer to the etching B149 : Diana at the Bath: c. 1629: Black chalk with some light brown wash: 18.1 x 16.4 cm: British Museum, London: Indented for transfer to the etching B201 : Seated Old Man: 1630: Red chalk on laid paper ...
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
The Goldweigher's Field is a 1651 etching by Rembrandt now held by many museums, including the British Museum, the Rijksmuseum, The Morgan Library & Museum, and the Metropolitan Museum of Art. It is based on a landscape drawing in the collection of the Museum Boijmans van Beuningen.
Around 1775, Captain William Baillie printed a 100 impression edition of an extensively re-worked, by his own hand, version of Rembrandt's original copper plate. [18] Baillie's earliest known print is a portrait of John Golding (1753), and he occasionally produced military-themed prints etched from his own original paintings.
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