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The music video for Peter Gabriel's song "Sledgehammer" is an example of a formally unorganized music video. Generally music videos can be said to contain visuals that either represent the potential connotative meaning of the lyrics or a semiotic system of its own. Although many analysts would explain a music video as a narrative structure ...
Brackett (ibid) finds the cut in all African American folk and popular music "from ring to rap" and lists the blues (AAB), "Rhythm" changes in jazz, the AABA form of bebop, the ostinato vamps at the end of gospel songs allowing improvisation and a rise in energy, short ostinatos of funk which spread that intensity throughout the song, samples ...
The video begins with Kerryn Johnston, an anchor for a local TV news service in Australia. Johnston, reading off the teleprompter in Ron Burgundy-esque fashion, says, 'Good evening. Tonight, I'm going to sound like drunk.'" [ 9 ] (Johnson says she made this joke because she thought she was only rehearsing and didn't realize she was live.)
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. [1] It is synonymous with the term edit , though "edit" can imply any number of transitions or effects.
Starring Michael and Dwight, the video uses the same music, rap style, and camera effects used in the "Lazy Sunday" video. In the feature film Epic Movie , the character Captain Jack Swallows (a reference to Jack Sparrow from the Pirates of the Caribbean film franchise) breaks out in a rap called "Lazy Pirate Day"; the song is reminiscent of ...
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Cash Box said that "the guitar wizardry of Eddie Van Halen charges through the grooves of this song" and also praised Sammy Hagar's vocal performance. [6] Billboard said it has a "strong pop hook and hedonist philosophy." [7] In 2011, the song was ranked at #5 on Ultimate Classic Rock's list of the Top 10 Van Hagar Songs. [8]
The track then quickly transgresses into one that is much more deep and forceful, opening the composition. The song contains lead vocalist Corey Taylor speaking in the manner of a radio announcer, and the line "Cut, cut, cut me up and fuck, fuck, fuck me up". [4] During concerts, percussionist Chris Fehn would usually sing the chorus with Corey.