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Neoclassical "Black Basalt" Ware vase by Wedgwood, c. 1815 AD, imitating "Etruscan" and Greek vase painting style. The Etruria Works was a ceramics factory opened by Josiah Wedgwood in 1769 in a district of Stoke-on-Trent, Staffordshire, England, which he named Etruria. The factory ran for 180 years, as part of the wider Wedgwood business.
Thomas Forester originally started a pottery business on Longton High Street, where his small workshop was based in 1877. As the business developed, Forester was said to have expanded his business within Longton, opening additional premises on Church Street called 'Church Street Majolica Works'. [2]
An unusually large askos at the Louvre. Etruscan askos in the form of a rooster, 4th century B.C., Metropolitan Museum of Art, New York. Askos (Ancient Greek á¼€σκÏŒς "tube"; plural: á¼€σκοί - askoi) is the name given in modern terminology to a type of ancient Greek pottery vessel [1] used to pour small quantities of liquids such as oil.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανÏŒμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
Etruscan black-figure hydria, early 5th century BC. The local production of Etruscan vases probably began in the 7th century BC. Initially, the vases followed examples of black-figure vase painting from Corinth and East Greece. It is assumed that in the earliest phase, vases were produced mainly by immigrants from Greece.
The pinnacle of the factory's output was the two intricately decorated "Rhinoceros" vases which were advertised by the works as being the largest single-piece porcelain objects in existence (one of which is in the Victoria and Albert Museum and the other of which is in the Clifton Park Museum in Rotherham) and a large exquisite dessert service ...
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