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Bass players who are playing in small venues (coffeehouses, small pubs, etc.) will typically need to bring their own bass combo amp (or an alternative amp, such as a keyboard amp combo), because very small venues often have a very small, low-powered PA system which is used mainly for vocals. Some small venues do not have monitor speakers, or ...
A typical sound reinforcement system consists of; input transducers (e.g., microphones), which convert sound energy such as a person singing into an electric signal, signal processors which alter the signal characteristics (e.g., equalizers that adjust the bass and treble, compressors that reduce signal peaks, etc.), amplifiers, which produce a ...
The Gizmo, also called the Gizmotron, [1] is an effects device for the electric guitar and bass guitar.It was invented in 1969 [2] and patented by the English rock musicians Kevin Godley and Lol Creme in 1975, whilst they were members of the British rock group 10cc.
Ampeg SVT VR "Vintage Reissue" The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important ...
Jazz bass is the use of the double bass or electric bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs .
A bass-shaker is meant to be firmly attached to some surface such as a seat, couch or floor. The shaker houses a small weight which is driven by a voice coil similar to those found in dynamic loudspeakers. The voice-coil is driven by a low-frequency audio signal from an amplifier; common shakers typically handle 25 to 50 watts of amplifier ...
The Ibanez Ashula bass guitar, though having seven strings, would also not be considered as an extended-range bass because the first four strings - G D A (low)E - lie over a section of the fretboard that has frets whereas the last three strings - a lower G, D and A - lie over a fretless part of the same fretboard.
The heel-toe foot technique was pioneered by drummers of the big band era. [1] The application most commonly used for this technique at that time was a rocking motion that assisted the drummer in keeping solid time on the hi-hat, while simultaneously playing timpani type floor tom rhythms or swinging the ride cymbal.