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Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity , imagination , and appreciation of nature in society and culture in response to the Age of ...
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
It was one of three monumental landscapes showing various times of the day (a planned fourth was not produced). Géricault combines a view of the aqueduct of Spoleto which he had visited in 1817, with the stormy skies and turbulent moods of the developing romantic movement. [4] It is in the collection of the Metropolitan Museum of Art in New ...
The popularity of landscapes in the Netherlands was in part a reflection of the virtual disappearance of religious painting in a Calvinist society, and the decline of religious painting in the 18th and 19th centuries all over Europe combined with Romanticism to give landscapes a much greater and more prestigious place in 19th-century art than ...
Anne-Louis Girodet de Roussy-Trioson, Ossian receiving the Ghosts of the French Heroes (1800–02), Musée national de Malmaison et Bois-Préau, Château de Malmaison. In the visual arts, Romanticism first showed itself in landscape painting, where from as early as the 1760s British artists began to turn to wilder landscapes and storms, and Gothic architecture, even if they had to make do with ...
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