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The term linothorax is a modern term based on the Greek λινοθώραξ, which means "wearing a breastplate of linen"; [1] a number of ancient Greek and Latin texts from the 6th century BC to the third century AD mention θώρακες λίνεοι (thorakes lineoi) (Greek) or loricae linteae (Latin) which means 'linen body armour'. These ...
Man's Breastplate, Crow (Native American), 1880–1900, Brooklyn Museum Left Hand Bear, an Oglala Lakota chief, wearing a hair-pipe breastplate, Omaha, 1898. The hair-pipe breastplates of 19th-century Interior Plains people were made from the West Indian conch , brought to New York docks as ballast and then traded to Native Americans of the ...
The aegis on the Lemnian Athena of Phidias, represented by a cast at the Pushkin Museum. The aegis (/ ˈ iː dʒ ɪ s / EE-jis; [1] Ancient Greek: αἰγίς aigís), as stated in the Iliad, is a device carried by Athena and Zeus, variously interpreted as an animal skin or a shield and sometimes featuring the head of a Gorgon.
An Ancient Greek bronze cuirass, dated between 620 and 580 BC. In Hellenistic and Roman times, the musculature of the male torso was idealized in the form of the muscle cuirass [2] or "heroic cuirass" (in French the cuirasse esthétique) [3] sometimes further embellished with symbolic representation in relief, familiar in the Augustus of Prima Porta and other heroic representations in official ...
The Dendra panoply or Dendra armour is an example of Mycenaean-era panoply (full-body armor) made of bronze plates uncovered in the village of Dendra in the Argolid, Greece. It is currently on display at the Archaeological Museum of Nafplion .
The golden pectoral or breastplate is thought to have been ordered by a Scythian chieftain, made either by the native Scythian artisans, as some modern scholarly opinion maintains, or as usually thought, by ancient Greek metalworkers probably located in Panticapaeum which is in present-day Crimea on the Black Sea.
Artist's conception of Jewish high priest wearing a hoshen in ancient Judah. According to the Biblical description, the twelve jewels in the breastplate were each to be made from specific minerals, none of them the same as another, and each of them representative of a specific tribe, whose name was to be inscribed on the stone.
The discovery led to reinterpretations of the time of the first introduction of metal body armour into Greece. [ 2 ] One of the more striking features of this panoply was the decoration of the cuirass, directly comparable – identical, almost – to the decoration seen on the earliest of the later Olympia examples, dating to the next century.