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The Mahavidya (Sanskrit: महाविद्या, IAST: Mahāvidyā, lit. Great Wisdoms ) are a group of ten Hindu [ 1 ] Tantric goddesses . [ 2 ] The ten Mahavidyas are usually named in the following sequence: Kali , Tara , Tripura Sundari , Bhuvaneshvari , Bhairavi , Chhinnamasta , Dhumavati , Bagalamukhi , Matangi and Kamalatmika . [ 3 ]
Dhumavati is always considered a widow, and thus, is the only Mahavidya without a consort. Though associated with Shiva, having eaten him, he has since left her. [ 3 ] [ 20 ] Having destroyed the male element ( Purusha ) in the universe, she is left with nothing, but she is still Shakti , the female element with latent energy.
An 18th-century painting from Rajasthan depicts Chhinnamasta as black, as described in the Pranatoshini Tantra legend. She is seated on a copulating couple. Chhinnamasta is often named as the fifth [24] [25] [26] or sixth [1] [27] [20] Mahavidya (Mahavidyas are a group of ten fearsome goddesses from the Hindu esoteric tradition of Tantra), with hymns identifying her as a fierce aspect of Devi ...
The Purana is dated to the ~3rd century CE, [10] and the Devi Mahatmyam was added to the Markandeya Purana either in the 5th or 6th century. [3] [4] [5] The Dadhimati Mata inscription (608 CE) quotes a portion from the Devi Mahatmyam. Thus, it can be concluded that the text was composed before the 7th century CE. [24]
In her Mahavidya context, she is also rarely associated with incarnations of Lakshmi such as Sita and Rukmini, though she is identified as two of the Saptamatrikas who are also forms associated with Vishnu, Varahi, and Vaishnavi.
Parvati manifested as 10 mahavidyas and surrounded Shiva not to let him go. Thus Shiva surrounded by 10 mahavidayas and enjoying or suffering due to them is called JIVA and any Jiva who wins these Mahavidyas becomes SHIVA. The 10 mahavidyas and their shivas are :- 1 - Mahavidya ==Mahakali & Mahakaal 2- Shri vidya== Tara & Akshobhya
Besides the Mahavidya Bagalamukhi, Matangi is the other Mahavidya, whose worship is primarily prescribed to acquire supernatural powers. A hymn in the Maha-Bhagavata Purana asks her grace to control one's foes, while the Tantrasara says that recitation of her mantra, meditation on her form and her ritual worship gives one to the power to ...
Kinsley, David (1988). Hindu Goddesses: Vision of the Divine Feminine in the Hindu Religious Traditions. University of California Press. ISBN 0-520-06339-2. Maity, P. K (1962), Historical Studies in the Cult of the Goddess Manasa, Calcutta {}: CS1 maint: location missing publisher ; R. D. Trivedi: Iconography of Parvati (Delhi, 1981)