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Nitrous oxide (N 2 O), commonly referred to as laughing gas, along with various street names, is an inert gas which can induce euphoria, dissociation, hallucinogenic states of mind, and relaxation when inhaled. [1] Nitrous oxide has no acute biochemical or cellular toxicity and is not metabolized in humans or other mammals.
Williams Street formed their own music label, Williams Street Records. The label was created after Jason DeMarco, Adult Swim's vice president of strategic marketing and promotions, worked on Danger Doom , a project with Danger Mouse and MF Doom in 2005.
Williams Street Records LLC is an American independent record company founded by Jason DeMarco, based in Atlanta, Georgia. It is a joint venture of Cartoon Network's Williams Street Productions and Warner Music Group ( Warner Bros. Discovery 's former record company), and is distributed through Alternative Distribution Alliance .
Dextromethorphan, or DXM, a common active ingredient found in many over-the-counter cough suppressant cold medicines, is used as a recreational drug and entheogen for its dissociative effects. [1] Street names include Brownies, Dextro, Drix, Gel, Groove, Lean, Mega-perls, Poor man's ecstasy, Poor man's PCP, Red devils, Robo, Rojo, Rome ...
Pages in category "Television series by Williams Street" The following 84 pages are in this category, out of 84 total. This list may not reflect recent changes.
William J. Street (1784–1847), Connecticut politician, father of William C. Street William C. Street (1816–1893), Connecticut politician, son of William J. Street William Douglas Street Jr. , American con artist and impersonator
This is a list of the winning and nominated programs of the Primetime Emmy Award for Outstanding Special Visual Effects for a series, miniseries, film, or special.Since the award ceremony of 1998, the category has been divided into Special Visual Effects for a Series and Special Visual Effects for a Miniseries, Movie, or Special.
The Williams process relies on the properties of film. Firstly, the actors were filmed in front of a black background—although white or blue backgrounds were used later—and that was printed on high contrast film several times until a copy known as the holdout matte was achieved, which showed the black silhouette of the actors over a completely white background.