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Two separate music videos were filmed for "Zoot Suit Riot". The first, directed by Isaac Camner, was produced by the Daddies and filmed at the Café Du Nord nightclub in San Francisco, California. The video depicts the band and a zoot suited Steve Perry performing the song to a group of swing dancers and punk rockers in a smoky lounge, intercut ...
Hand dancers at the 45th Annual Smithsonian Folklife Festival in Washington, D.C., in 2011. Hand dancing, also known as D.C. hand dancing or D.C. swing, is a form of swing dance that can be traced as far back as the 1920s, from Lindy Hop and the Jitterbug, to the 1950s when dancers in the District of Columbia developed their own variety.
The 1998 version was seen as an archive footage clip was featured during the music "Dickie's Dream" by Count Basie in the final episode, "A Masterpiece by Midnight" from the 2001 Ken Burns documentary Jazz. The Gap used Prima's version in a "Khakis Swing" commercial in 1998. [6] Louis Prima's version is used in the 2008 MGM animated film Igor.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston , Balboa , Lindy Hop , and Collegiate Shag .
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Jitterbug is a generalized term used to describe swing dancing. [1] It is often synonymous with the lindy hop dance [2] [3] but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances. [4] Swing dancing originated in the African-American communities of New York City in the early 20th ...
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Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.