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Religious Jewish Music in the 20th century has spanned the gamut from Shlomo Carlebach's nigunim to Debbie Friedman's Jewish feminist folk, to the many sounds of Daniel Ben Shalom. Velvel Pasternak has spent much of the late 20th century acting as a preservationist and committing what had been a strongly oral tradition to paper.
A church service (or a worship service) is a formalized period of Christian communal worship, often held in a church building. Most Christian denominations hold church services on the Lord's Day (offering Sunday morning and Sunday evening services); a number of traditions have mid-week services, while some traditions worship on a Saturday.
Within the traditional Jewish community, cantoral and chasiddic melodies were the musical standard.. In the 1950s and early 1960s recordings began to be made of non-cantorial Jewish music, beginning with Ben Zion Shenker's recording of the music of the Modzitz chassidic sect [2] and Cantor David Werdyger's Gerrer recordings.
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There exist both traditions of religious music, as sung at the synagogue and in domestic prayers, and of secular music, such as klezmer. While some elements of Jewish music may originate in biblical times (Biblical music), differences of rhythm and sound can be found among later Jewish communities that have been musically influenced by location.
The Yeshiva Boys Choir, also known as YBC, is a contemporary Jewish religious music boys choir. The choir is conducted by Yossi Newman, and their songs are composed, arranged and produced by Eli Gerstner. Quickly after their first album, they became well known around the Orthodox Jewish community. They went on to release many hit songs, and ...
Yossi Green (born 1955) [1] [2] is a Hasidic Jewish composer of contemporary Jewish religious music. As of 2024 he had written more than 1000 melodies [3] in the genres of pop music, classical music, liturgical music, Hasidic music, and show tunes. His songs have appeared on more than 120 albums and CDs.
[2] [3] In the mid-1990s, as he became more religious, he changed his name from Gilad Kardunos to Yosef Karduner. [ 5 ] During one session of secluded prayer (" hitbodedut "), he created the tune for Shir LaMaalot (" Song to the Ascents "— Psalm 121 ), and one of his teachers urged him to resume his music career, this time in a vein related ...