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Blood, Sweat & Tears (also known as "BS&T") is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles.
With Clayton-Thomas fronting the band, Blood, Sweat & Tears continued with a string of hit albums, including Blood, Sweat & Tears 3 which featured Carole King's "Hi-De-Ho" and Clayton-Thomas's "Lucretia MacEvil", and Blood, Sweat & Tears 4, which yielded another Clayton-Thomas-penned hit single, "Go Down Gamblin'" and "Lisa Listen to Me".
“What the Hell Happened to Blood, Sweat & Tears?” follows a never-before-told story of Blood, Sweat and Tears, a classic rock band that got caught in political crossfire after leading a U.S ...
The song is best known for the next version, recorded by the jazz-rock group Blood, Sweat & Tears in late 1969. This recording reached No. 2 on the US Billboard Hot 100 and became a Gold record. In the US, it was kept from #1 by the double A-side "Come Together"/"Something" by The Beatles. [1] "And When I Die" also reached No. 1 in Canada in ...
John Scheinfeld's documentary, part exposé, part concert film, probes a controversial 1970 Iron Curtain tour and its impact on the horn-driven jazz-rock band's demise.
He joined Blood, Sweat, and Tears in 1970 after Jerry Hyman departed and first appeared on the album B, S & T; 4. With this group, he recorded the jazz-rock solo on the tuba in "And When I Die/One Room Country Shack" on the album Live and Improvised. His recording credits with BS&T include eleven albums.
He received a Grammy Award for Best Instrumental Performance for "Variations on a Theme By Erik Satie" from the album Blood, Sweat & Tears. Halligan also arranged many of the band's charts during this time period, and he wrote several songs including "Redemption" and "Lisa Listen to Me." Halligan left BS&T in 1971 after recording their fourth ...
One of the casualties of an era centered on ring lights over stage lights is the marginalizing of the all-around “performer,” that blood-sweat-and-tears breed who could light up rooms and ...