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The term "counterpoint" has been used to designate a voice or even an entire composition. [3] Counterpoint focuses on melodic interaction—only secondarily on the harmonies produced by that interaction. Work initiated by Guerino Mazzola (born 1947) has given counterpoint theory a mathematical foundation. In particular, Mazzola's model gives a ...
The novel's title is a reference to the flow of arguments in a debate, [3] and a series of these exchanges tell the story. [5] Instead of a single central plot, there are a number of interlinked story lines and recurring themes (as in musical "counterpoint"). [6]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In literature, an author uses contrast when they describe the difference(s) between two or more entities. According to the Oxford Dictionary, contrast is comparing two things in order to show the differences between them. It is common in many works of Literature.
Owing to its origin in ancient Greece and Rome, English rhetorical theory frequently employs Greek and Latin words as terms of art. This page explains commonly used rhetorical terms in alphabetical order. The brief definitions here are intended to serve as a quick reference rather than an in-depth discussion. For more information, click the terms.
Later on, the term came to mean the treble or soprano singer in any group of voices, or the higher pitched line in a song. Eventually, by the Renaissance, descant referred generally to counterpoint. Nowadays the counterpoint meaning is the most common.
In music, counterpoint is a texture involving the simultaneous sounding of separate melodies or lines "against" each other. Counterpoint may also refer to: Music
[4] [5] The term "round" only first came to be used in English sources in the 16th century. [6] Canons featured in the music of the Italian Trecento and the 14th-century ars nova in France. An Italian example is "Tosto che l'alba" by Gherardello da Firenze. In both France and Italy, canons were often featured in hunting songs.