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The Frick Collection (colloquially known as the Frick) is an art museum on the Upper East Side of Manhattan in New York City, New York, U.S. It was established in 1935 to preserve the art collection of the industrialist Henry Clay Frick .
The Frick Art Research Library (formerly known as the Frick Art Reference Library) is the art library of The Frick Collection, located in New York City.The library, founded in 1920 by Helen Clay Frick, offers access to materials on the study of art to students, scholars, and the public.
The Frick Art Research Library’s Photoarchive in New York is a study collection of more than 1.5 million photographic reproductions of works of art from the fourth to the mid-twentieth century. It was founded in 1920 by Helen Clay Frick to facilitate object-oriented research. Alongside the reproductions, the extensive documentation it offers ...
[335] Conversely, in 1999, a New York Daily News reporter described the mansion as "never a home so much as it was a great vaulted hall" for Frick's art. [336] Christopher Gray of The New York Times said the mansion was "straightforward in most respects, but made peculiar by the long blank limestone finger stretching out on 71st Street". [198]
Henry Clay Frick [88] 1943 oil on canvas Gerald Kelly: 1879–1972 Portrait of Henry Clay Frick [89] 1924 oil on canvas Jacques de Lajoue, attributed 1687–1761 Seven Decorative Panels [90] c. 1730–1740 oil on canvas Georges de La Tour, studio of 1593–1652 The Education of the Virgin [91] c. 1650 oil on canvas Thomas Lawrence: 1769–1830
945 Madison Avenue, also known as the Breuer Building, is a museum building on the Upper East Side of Manhattan, New York City.The Marcel Breuer-designed structure was built to house the Whitney Museum of American Art; it subsequently held a branch of the Metropolitan Museum of Art and from 2021 to March 2024 was the temporary quarters of the Frick Collection while the Henry Clay Frick House ...
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In 1915, the painting entered the Frick Collection in New York City, [13] displayed prominently in what was the living room of Henry Clay Frick, an American industrialist, financier, and art patron. [6] Frick had acquired the painting even though he had little interest in religious paintings, but he valued this painting for its extensive landscape.