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Notation of melody and chords for the hymn. [1]Agni Parthene (Greek: Ἁγνὴ Παρθένε), rendered "O Virgin Pure" or "O Pure Virgin", is a Greek Marian hymn composed by St. Nectarios of Aegina in the late 19th century, first published in print in his Theotokarion (Θεοτοκάριον, ἤτοι προσευχητάριον μικρόν) in 1905.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
An instrumental version of the song was used as background music for CBS's Bicentennial Minutes segments. The HBO miniseries John Adams has a scene in episode 1 where a group of men sing this song together. There is a concert band piece called Chester Variations, arranged by Elliot Del Borgo. [1]
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
Craig Gower – piano, keyboards; Peter Hart – vocals; Scott Haslem – vocals, vocal production; Nigel Hendroff – electric guitar, acoustic guitar; Gary Honor – saxophone; Matt Hope – trumpet, brass director; Trent Hopkinson – trumpet; Karen Horn – vocals; Bobbie Houston (senior pastor) – executive producer
Singing the Living Tradition was the first standard denominational hymnbook to include songs from Unitarians in Eastern Europe, spirituals from the African American tradition, folk and popular songs, music of major, non-Christian religious traditions, and chants and rounds gathered from the various traditions of the world.
The compact 11-song tracklist sounds like someone put all the best experimental dance music and punchy synth-pop into a blender and sprinkled it with the essence of Rosalía's "Motomami ...
In 1933, the editors of The Presbyterian Hymnal decided to replace "The God of Abraham Praise" with "Praise to The Living God" in the hymnal. In order to make the new hymn familiar to the congregation, they set it to the tune of the old hymn and substituted the first line of the old with the first line of the new. [2]
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