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"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175. [2]
Portrait of a Young Woman: Musée des Beaux-Arts de Strasbourg, France: Oil on panel 60 x 40 c. 1518: Portrait of Lorenzo de' Medici, Duke of Urbino: Private collection Oil on canvas 97.2 × 79.4 c. 1518: Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi: Uffizi, Florence, Italy: Tempera on panel 155,5 x 119,5 c. 1518: The Pearl [5]
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino. The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences.
Portrait of Young Woman with Unicorn is a painting by Raphael, which art historians date c. 1505-1506.
La donna gravida (or simply La gravida; Italian for "The Pregnant Woman") is an oil on wood portrait by the Italian High Renaissance artist Raphael.It was painted between 1505 and 1506, during Raphael's stay in Florence, Italy.
Self Portrait at the Age of 78, Ingres, 1858. In 1813, at the time of the painting, Ingres married Madeleine Chapelle, which may have led him to focus on Raphael's relationships with women. [9] In Le Roman d'amour de M. Inges, by Henry Lapauze, Ingres's and Raphael's relationships and encounters with women are contrasted and analyzed. [8]
[2] [3] Raphael included a self-portrait beside Ptolemy. Raphael is the second character who is looking directly at the viewer in the artwork, the first being Hypatia - a woman in the white robe, who stands between Parmenides and Pythagoras.
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