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Night is the first in a trilogy—Night, Dawn, Day—marking Wiesel's transition during and after the Holocaust from darkness to light, according to the Jewish tradition of beginning a new day at nightfall. "In Night," he said, "I wanted to show the end, the finality of the event. Everything came to an end—man, history, literature, religion, God.
The website's critics consensus reads, "Its contents may be a bit busy and overly familiar, but Nightbooks offers a fun—and actually fairly scary—gateway to horror for younger viewers. "[6] Metacritic gave the film a weighted average score of 65 out of 100 based on 5 critics, indicating "generally favorable reviews".
Day, published in 1962, is the third book in a trilogy by Romanian-born American writer and political activist Elie Wiesel—Night, Dawn, and Day—describing his experiences and thoughts during and after the Holocaust.
This article about a children's novel of the 1980s is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page.
Night writing is the name given to a form of tactile writing invented by Charles Barbier de la Serre (1767-1841). It is one of a dozen forms of alternative writing presented in a book published in 1815: Essai sur divers procédés d'expéditive française, contenant douze écritures différentes, avec une planche pour chaque procédé (Essay on various processes of French expedition ...
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Night Over Water is a fictionalized account of the final flight of the Pan American Clipper passenger airplane during the first few days of World War II, early September, 1939. Follett is careful to state that, though the flight and all of the characters are fictional the plane, a Boeing 314 , was real and was nicknamed the "Pan Am Clipper."
City of Night is a novel written by John Rechy. It was originally published in 1963 in New York by Grove Press. Earlier excerpts had appeared in Evergreen Review, Big Table, Nugget, and The London Magazine. City of Night is notable for its exposé approach to and stark depiction of hustling, as well as its stream of consciousness narrative style.