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Gratias tibi ago, Domine Jesu Christe, de omnibus beneficiis quae mihi praestitisti; pro poenis et opprobriis, quae pro me pertulisti; propter quae planctus ille lamentabilis vere tibi competebat. Non est dolor similis sicut dolor meus. [26] [27] The statue of St Richard near the west door of Chichester Cathedral.
As the Gratias agimus tibi, the movement is based on the first choral movement of Wir danken dir, Gott, wir danken dir, BWV 29, [9] with minor alterations because of the different text. The text appears on both the theme and the countersubject, here stressing "pacem" (peace) at the beginning of the line. [ 18 ]
Short title: Gratias agimus tibi: Author: Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi
Gratias agimus tibi; Four-part chorus (Soprano, Alto, Tenor, Bass) in D major, marked alla breve, time signature of . The music is a reworking of the second movement of Bach's 1731 Ratswechsel (Town Council Inauguration) cantata Wir danken dir, Gott, wir danken dir, BWV 29, in which the time signature is the number 2 with a slash through it ...
Laudamus te, benedicimus te, adoramus te, glorificamus te, gratias agimus tibi propter magnam gloriam tuam, Domine Deus, Rex caelestis, Deus Pater omnipotens. Domine Fili unigenite, Iesu Christe, Domine Deus, Agnus Dei, Filius Patris, qui tollis peccata mundi, miserere nobis; qui tollis peccata mundi, suscipe deprecationem nostram.
A third aspect, "Domine Deus Filius Patris" (Lord God, Son of the Father), appear forte and with an even accompaniment in triplets. [31] The aria is, by its music of energetic syncopes, dotted rhythms and leaps, an image of a majestic heavenly king. [19]
Deo gratias has been set to music by several composers. Guillaume de Machaut's Messe de Nostre Dame (mid 1300s) is a complete setting of the Ordinary and thus ends with Ite, missa est. / Deo gratias, both sung in the same setting. Johannes Ockeghem wrote a setting for 36 voices (mid 1400s).
The Missa solemnis in C major, K. 66, is a mass composed by Wolfgang Amadeus Mozart in 1769. [1] It is scored for SATB soloists and choir, violins I and II, viola, 2 oboes, 2 horns, 2 clarini (high trumpets), 2 trumpets and basso continuo.