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Gratias tibi ago, Domine Jesu Christe, de omnibus beneficiis quae mihi praestitisti; pro poenis et opprobriis, quae pro me pertulisti; propter quae planctus ille lamentabilis vere tibi competebat. Non est dolor similis sicut dolor meus. [26] [27] The statue of St Richard near the west door of Chichester Cathedral.
For example, Gratias agimus tibi (We give you thanks) is based on Wir danken dir, Gott, wir danken dir [9] (We thank you, God, we thank you) and the Crucifixus (Crucified) is based on the general lamenting about the situation of the faithful Christian, Weinen, Klagen, Sorgen, Zagen [9] (Weeping, lamenting, worrying, fearing) which Bach had ...
This list of compositions by Jan Dismas Zelenka was indexed in accordance with Wolfgang Reiche's thematic catalogue "Jan Dismas Zelenka: Thematisch-systematisches Verzeichnis der musikalischen Werke (ZWV)", Dresden, 1985. [1]
Laudamus te, benedicimus te, adoramus te, glorificamus te, gratias agimus tibi propter magnam gloriam tuam, Domine Deus, Rex caelestis, Deus Pater omnipotens. Domine Fili unigenite, Iesu Christe, Domine Deus, Agnus Dei, Filius Patris, qui tollis peccata mundi, miserere nobis; qui tollis peccata mundi, suscipe deprecationem nostram.
Gratias agimus tibi; Four-part chorus (Soprano, Alto, Tenor, Bass) in D major, marked alla breve, time signature of . The music is a reworking of the second movement of Bach's 1731 Ratswechsel (Town Council Inauguration) cantata Wir danken dir, Gott, wir danken dir, BWV 29, in which the time signature is the number 2 with a slash through it ...
Deo gratias has been set to music by several composers. Guillaume de Machaut's Messe de Nostre Dame (mid 1300s) is a complete setting of the Ordinary and thus ends with Ite, missa est. / Deo gratias, both sung in the same setting. Johannes Ockeghem wrote a setting for 36 voices (mid 1400s).
As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
The Missa Votiva is a mass composed by the Czech Baroque composer Jan Dismas Zelenka in 1739, Dresden. The Missa Votiva is about seventy minutes long, and its twenty parts range from forty-five seconds to over seven minutes in length.