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Joe Minter (born March 28, 1943) is an African American sculptor based in Birmingham, Alabama. [1] [2] His African Village in America, on the southwest edge of Birmingham, is an ever-evolving art environment populated by sculptures he makes from scrap metal and found materials; [3] its theme is recognition of African American history from the first arrivals of captured Africans to the present. [4]
Dr. Evermor's Forevertron is the 2nd largest scrap metal sculpture in the world, standing 50 ft. (15,2 m.) high and 120 ft. (36,5 m.) wide, and weighing 300 tons. [1] Built in the 1980s, it is housed in Dr. Evermor's Art Park on Highway 12, in the town of Sumpter, in Sauk County, Wisconsin, United States.
Nov. 9—MOSES LAKE — The organizers of the scrap metal art competition work to make it a challenge. That was the lesson of the oxygen tank that attracted the attention of the team from Pasco.
Improvised armour added to a truck by railway shop workers for the Danish resistance movement near the end of World War II. Improvised vehicle armour is a form of vehicle armour consisting of protective materials added to a vehicle such as a car, truck, or tank in an irregular and extemporized fashion using available materials.
The area has long had a reputation for producing unlicensed, homemade copies of firearms using whatever materials are available – more often than not, railway rails, scrap motor vehicles, and other scrap metal. The quality of such firearms varies widely, ranging from as good as a factory-produced example to dangerously poor.
He developed an interest in art collecting early in life after his father and grandfather discovered two early American stoneware bottles during an excavation project in their scrap yard in 1980. [3] Weitsman began collecting the 19th-century stoneware and owned 60 pieces by 1982. [2] In 1986, Weitsman graduated from Owego Free Academy.
The Enchanted Highway is a collection of the world's largest scrap metal sculptures [1] constructed by Gary Greff at intervals along a 32-mile (51 km) stretch of a two-lane highway in the southwestern part of the U.S. state of North Dakota.
Simon Rodia's Watts Towers (1921–1954) in Los Angeles exemplifies upcycling of scrap metal, pottery and broken glass on a grand scale; it consists of 17 structures, the tallest reaching over 30 meters into the Watts skyline. Intellectually, upcycling bears some resemblance to the ready-made art of Marcel Duchamp and the Dadaists.
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