Search results
Results from the WOW.Com Content Network
Macduff begins to suspect Macbeth of regicide when Macbeth says, "O, yet I do repent me of my fury / That I did kill them" (2.3.124–125). Macduff's name does not appear in this scene; rather, Banquo refers to him as "Dear Duff" (2.3.105). In 2.4 Macbeth has left for Scone, the ancient royal city where Scottish kings were crowned.
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]
The murderer cries as he stabs the boy, "What, you egg! ... Young fry of treachery!" [1] This hints at the reason Macbeth is so eager to have him killed.Macbeth, seeing that, as the Three Witches foretold, he is destined to be king with no offspring to inherit his throne, is determined to kill the offspring of others, including Fleance and Macduff's son.
William Shakespeare's play Macbeth is said to be cursed, so actors avoid saying its name when in the theatre (the euphemism "The Scottish Play" is used instead). Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of ...
What's done cannot be undone. – To bed, to bed, to bed!" [3] Shakespeare did not coin the phrase; it may actually be a derivative of the early 14th-century French proverb: Mez quant ja est la chose fecte, ne peut pas bien estre desfecte, which is translated into English as "But when a thing is already done, it cannot be undone".
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
Macbeth and Banquo Meeting the Three Witches by John Wootton. Many scholars see Banquo as a foil and a contrast to Macbeth. Macbeth, for example, eagerly accepts the Three Witches' prophecy as true and seeks to help it along. Banquo, on the other hand, doubts the prophecies and the intentions of these seemingly evil creatures.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.