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Brother Sun, Sister Moon (Italian: Fratello sole, sorella luna) is a 1972 historical drama film based on the hagiography of Saint Francis of Assisi.It is directed by Franco Zeffirelli from a screenplay he co-wrote with Suso Cecchi d'Amico, Lina Wertmüller and Kenneth Ross.
On the review aggregator Rotten Tomatoes, the film holds an approval rating of 99% based on 102 reviews, with an average rating of 8.1/10. The website's critical consensus reads, "Saint Frances approaches an array of weighty issues with empathy, humor, and grace -- and marks star and writer Kelly O'Sullivan as a tremendous talent to watch."
St. Francis (Italian: Francesco) is a 2002 Italian television movie written and directed by Michele Soavi. The film is based on real life events of Roman Catholic Friar and then Saint Francis of Assisi. [1] [2] [3]
Francesco di Assisi [a] (sometimes credited as Francesco d'Assisi), English title Francis of Assisi, is a 1966 Italian drama television film by Liliana Cavani. [ 1 ] [ 2 ] [ 5 ] It was Cavani's first non-fiction feature-length film, with a screenplay written by her and Tullio Pinelli .
St. Francis, a 2002 film directed by Michele Soavi, starring Raoul Bova as Francis. Clare and Francis, a 2007 film directed by Fabrizio Costa, starring Mary Petruolo and Ettore Bassi; Pranchiyettan and the Saint, a 2010 satirical Indian Malayalam film; Finding St. Francis, a 2014 film directed by Paul Alexander
Francis of Assisi is a 1961 DeLuxe CinemaScope epic film directed by Michael Curtiz, based on the 1958 novel The Joyful Beggar by Louis de Wohl.The film starred Bradford Dillman, in one of his few sympathetic leading film roles (he usually played a villainous character onscreen), Dolores Hart and Stuart Whitman.
Corriere della Sera television critic Aldo Grasso criticised the film for its lack of spiritual elements. [2] When asked for their opinion, the conventual friars of the Sacro Convento in Assisi had mixed views, praising its historical rigour, lack of rhetorics and acting performances, but finding some inadequacy in representing the theological and human depth of Francis.
Rossellini had been working on a film about St. Francis for years and he later called this film his favorite of his own works. [2] Rossellini and Federico Fellini wrote a treatment of the film that was 28 pages long and contained only 71 lines of dialogue. It was partially inspired by such St. Francis legends as the Fioretti and Life of Brother ...