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Kumadori (隈取) is the stage makeup worn by kabuki actors, mostly when performing kabuki plays in the aragoto style. [1] The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details. [citation needed]
Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629.
Ukiyo-e images were almost exclusively images of urban life; the vast majority that were not landscapes were devoted to depicting courtesans, sumo, or kabuki. Realistic detail, inscriptions, the availability of playbills from the period, and a number of other resources have allowed many prints to be analyzed and identified in great detail.
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Unlike Noh mask s, Kyogen masks are used primarily for non-human characters and comic roles, as most human characters perform unmasked to allow for more expressive facial reactions. Kyōgen Sakusha Professional kabuki playwrights (狂言作者) who emerged during the Genroku period as plays became more complex.
Famous Heroes of the Kabuki Stage Played by Frogs by Utagawa Kuniyoshi (1798-1861), a woodcut illustration of personified frogs in costume acting out scenes from Kabuki plays. Digitally enhanced from our own original edition. Horizontal resolution: 300 dpi: Vertical resolution: 300 dpi: Software used: Adobe Photoshop Lightroom Classic 7.2 ...
Toyokuni Utagawa by Kunisada. Utagawa Toyokuni (Japanese: 歌川豊国; 1769 – 24 February 1825), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his gō after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints.
Oshiguma are customarily made after the performance of a kabuki play, though not necessarily after every performance, and given as highly valued souvenirs of the event. A single oshiguma may have face-impressions from one or several actors, usually all from the same show, illustrating the make-up designs for major characters in the play .