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The white square in the center of the diagram depicts the low-frequency speaker. Each black square depicts a loudspeaker. The center speaker in the top line of the diagram is used for dialogue. The left and right speakers on either side of the center speaker are used to create stereo sound for music and other sound effects in the film.
22.2 or Hamasaki 22.2 (named after Kimio Hamasaki, a senior research engineer at NHK Science & Technology Research Laboratories in Japan) is the surround sound component of Super Hi-Vision (a new television standard with 16 times the pixel resolution (7680×4320) of HDTV (1920x1080).
However, whereas a 5.1 surround sound system combines both surround and rear channel effects into two channels (commonly configured in home theatre set-ups as two rear surround speakers), a 7.1 surround system splits the surround and rear channel information into four distinct channels, in which sound effects are directed to left and right ...
Typical layout of loudspeakers in a 5.1 home theater loudspeaker system. Block diagram of a 5.1 channel bass management system, with nominal filtering characteristics. There are notation differences between the pre-bass-managed signal and after it has passed through the bass manager. For example, when using 5.1 surround sound: [2] [3]
Surround microphone techniques largely depend on the setup used, therefore being biased towards the 5.1 surround setup, as this is the standard. [24] Surround recording techniques can be differentiated into those that use single arrays of microphones placed in close proximity, and those treating front and rear channels with separate arrays.
It divided the existing soundtrack area of a 35 mm film print into two, allowing a two-channel recording. Each of these two channels used Dolby A-type noise reduction (later replaced by Dolby SR type). In addition a matrix, similar in principle to those used for the existing matrix-type quadraphonic systems, allowed the audio for left, center ...
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