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Pastels that are made of pigment particles bound together with a binding agent, and oil pastels that have pigments mixed with wax and non-drying oil. Pastels that are pigment particles bound together take on a more chalky and loose powdery characterization, and are secured to its supports using fixative or diluted resin in solution.
A set of oil pastels. An Oil Pastel Artwork of A spiral. An oil pastel is a painting and drawing medium formed into a stick which consists of pigment mixed with a binder mixture of non-drying oil and wax. Oil pastel is a type of pastel. They differ from other pastel sticks which are made with a gum or methyl cellulose binder, and from wax ...
Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. Metalpoint styli were used for writing on soft surfaces (wax or bark), ruling and underdrawing on parchment, and drawing on prepared paper and panel supports. For drawing purposes, the essential metals used were lead, tin and silver.
Pastel. A pastel (US: / pæˈstɛl /) is an art medium that consist of powdered pigment and a binder. It can exist in a variety of forms, including a stick, a square, a pebble, or a pan of color, though other forms are possible. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil ...
Sgraffito (Italian: [zɡrafˈfiːto]; pl. sgraffiti) is an artistic or decorative technique of scratching through a coating on a hard surface to reveal parts of another underlying coating which is in a contrasting colour. It is produced on walls by applying layers of plaster tinted in contrasting colours to a moistened surface, and on pottery ...
The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
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