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Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
Christ and Abbot Menas icon, Louvre, Paris. The Icon of Christ and Abbot Mena (French: L'Icône du Christ et de l'Abbé Ménas) a Coptic painting which is now in the Louvre museum, in Paris. [1] The icon is an encaustic painting on wood and was brought from the Apollo monastery in Bawit, Egypt.
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 41.
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the 'celestial sphere' of the heavens.
In 2012, several pious American Traditionalist Catholics from Texas and New York petitioned the Louvre Endowment Fund that it purchase and release custody of the image, but this was denied. The French magazine La Tribune de l'art featured the image on 16 June 2010 as part of its recentMediaeval acquisitions by the Louvre Museum. [7]
The Face Of Jesus According To Science With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look ...
It is, however, still connected with Rembrandt's workshop and is grouped together with all the other versions. It was included in the 2011 exhibition "Rembrandt and the Face of Jesus" held in the museums of Detroit (DIA), Philadelphia (PMA) and Paris (Louvre) April 21, 2011 – February 12, 2012, no. 46.