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It first developed in the 1980s, primarily through the work of the critic Stephen Greenblatt, and gained widespread influence in the 1990s. [1] Greenblatt coined the term "new historicism" when, as he wrote, he "collected a bunch of essays and then, out of a kind of desperation to get the introduction done, he wrote that the essays represented ...
Much of his work has been "part of a collective project", such as his work as co-editor of the Berkeley-based literary-cultural journal Representations (which he co-founded in 1983), as editor of publications such as the Norton Anthology of English Literature, and as co-author of books such as Practicing New Historicism (2000), which he wrote ...
Kenneth Duva Burke (May 5, 1897 – November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. [1] As a literary theorist, Burke was best known for his analyses based on the nature of knowledge.
This school of thought is sometimes given the name of New Historicism. The same term, new historicism is also used for a school of literary scholarship which interprets a poem, drama, etc. as an expression of or reaction to the power-structures of its society. Stephen Greenblatt is an example of this school.
Subversion and containment is a concept in literary studies introduced by Stephen Greenblatt in his 1988 essay "Invisible Bullets". [1] It has subsequently become a much-used concept in new historicist and cultural materialist approaches to textual analysis.
Biographical Criticism, like New Historicism, rejects the concept that literary studies should be limited to the internal or formal characteristics of a literary work, and insists that it properly includes a knowledge of the contexts in which the work was created. Biographical criticism stands in ambiguous relationship to Romanticism. It has ...
New Literary History: A Journal of Theory & Interpretation is a quarterly academic journal published by Johns Hopkins University Press. It focuses on the history and theory of literature, and key questions of interpretation. The journal has received six awards from the Council of Editors of Learned Journals. [1]
Louis Adrian Montrose was an American literary theorist and academic scholar who retired from the academy in 2010 to pursue a career as a photographer. His scholarship addressed a wide variety of literary, historical, and theoretical topics and issues, and significantly shaped contemporary studies of Renaissance poetics, English Renaissance theatre, and Elizabeth I.