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Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
Sulibao (right) on a 2016 stamp sheet of the Philippines. A solibao is a conical tenor drum played by the Bontoc and Ibaloi people of the Philippines. It is played with the palms of both hands. It usually appears as part of an ensemble along with the kimbal, pinsak, kalsa and palas. [1] Sulibao is made from a hollowed out log covered with deer ...
A palendag, a Philippine bamboo flute of the Maguindanaon people. The palendag, also called Pulalu (Manobo [1] and Mansaka), Palandag (), [2] Pulala and Lumundeg is a type of Philippine bamboo flute, the largest one used by the Maguindanaon, a smaller type of this instrument is called the Hulakteb (Bukidnon). [3]
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro ), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
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The Philippines, comprising more than 7,000 islands, is an archipelago where symbols of the past and present contribute to its unique culture. These symbols are influenced by and noticeable in burial practices, rituals, social status, architecture, agriculture, and The Philippines' place in the Austronesian world.