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Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
Philippine folk instruments (3 C, 5 P) Pages in category "Philippine musical instruments" The following 36 pages are in this category, out of 36 total.
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
Pages in category "Philippine folk instruments" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. B. Babendil; D.
Most of the variations of the Philippine bamboo panpipes can be traced to northern Luzon, where the instrument is known by different names. In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight.
Subsequent records by Spanish friars Diego de Bobadilla, S.J. (1590–1648), and Francisco Colin, S.J., who were both in the Philippines during the first half of 17th century, echoed the same thing in their writings when describing the instrument and its use by Tagalogs, but unlike the first two, Colin only mentioned the instrument having "two ...
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Balarao (also spelled balaraw, bararao, and bararaw), also known as "winged dagger", is a Filipino dagger used throughout the pre-colonial Philippines. It is unusually shaped, with a double-edged leaf-like blade and a finger-fitting grip consisting of two horn-like projections at the pommel and no guards.