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Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
"Bring Em Out" is a song by American rapper T.I., released as the lead single from his third studio album Urban Legend. The song, produced by Swizz Beatz, contains a vocal sample from Jay-Z's "What More Can I Say". This became T.I.'s first US top-ten single, peaking at number nine on the US Billboard Hot 100 chart. [1]
"Bring the Noise" is a song by the American hip hop group Public Enemy. It was included on the soundtrack of the 1987 film Less than Zero ; the song was also released as a single that year. It later became the first song on the group's 1988 album, It Takes a Nation of Millions to Hold Us Back .
Frolic" is an instrumental by the Italian composer Luciano Michelini. It was composed in 1974 for the film La bellissima estate , where it was used to represent the character of the barone rosso . "Frolic" is better known as the theme from the American sitcom Curb Your Enthusiasm .
Les Misérables is a sung-through musical based on the 1862 novel Les Misérables by French poet and novelist Victor Hugo.It premiered in Paris in 1980 and includes music by Claude-Michel Schönberg with original French lyrics by Alain Boublil and Jean-Marc Natel, as well as an English-language libretto by Herbert Kretzmer.
Bring 'Em In is the 13th studio album by blues musician Buddy Guy, released in 2005 on Silvertone Records.The album is made up almost entirely of songs covered by Buddy Guy, containing only one original composition by the artist.
Musically, "Bring It All to Me" is a silky, slow-and-easy youth-leaning R&B track with a bouncing beat underneath "classy" piano keys. [2] [3] [4] The song was described by music journalist Chuck Taylor of Billboard as sounding "distinctive and like an old-school anthem" and "refreshing" in terms of the track's lyrical content amidst the "male-bashing" anthems from the time. [2]
The music is so similar in places to Another Side of Bob Dylan's "Motorpsycho Nitemare" as to be indistinguishable from it but for the electric instrumentation. The song can be best read as a highly sardonic, non-linear (historically) dreamscape parallel cataloguing of the discovery, creation and merits (or lack thereof) of the United States.