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This is a list of songs performed by Miley Stewart's alter ego, Hannah Montana; used in the series, Hannah Montana (2006–2011); and used in the film, The Hannah Montana Movie (2009). All songs are listed by order of album released, then by appearance in the series. Songs are not included if they are one line or shorter.
[2] [4] In Hannah Montana: The Movie, the Cyruses perform the song as their characters in "a tender movie scene under a gazebo in the rain". [5] Billy Ray said filming the scene was "a pretty special moment. The song itself was written by Glen Ballard, a masterful songwriter who wrote 'Man in the Mirror' for Michael Jackson. I knew it was a ...
The song is written in the key of E♭ major. Cyrus' vocals span one octave, from B♭ 3 to B 4. [5] The song uses the chord progression E♭5—D5—E♭5. [5] Like the film, the lyrics discuss importance of one's roots. [1] Warren Truitt of About.com opined it conveyed "the sentiment that even pop stars find safe haven in their home town". [6]
"I Wanna Know You" is a duet by Miley Cyrus and David Archuleta from the album Hannah Montana 3. [ 1 ] [ 2 ] The song was not released until its release with the album, Hannah Montana 3 and it was not until post-release that the song garnered success in the United States .
The music video for "I'm Still Good" was directed by "Chen Neeman" who also directed the song. [2] The music video was released during an episode of Hannah Montana Forever, in the episode "Been Here All Along" together with the songs "Been Here All Along" and "Que Sera". The video features a concert as Hannah sings to her fans.
Like the song, the video represents Cyrus' desire to return home. [19] Cyrus explained, "When I see the video for 'Back to Tennessee,' there's a lot of emotion there. It's a combination between the Hannah Montana movie and going back to the actual spot where I wrote the song. I wrote the song in Malibu, and we went back to Malibu to film the video.
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"I Do' Wanna Know" was a throwback to the types of rockers REO Speedwagon had recorded in their earlier days. [2] Allmusic critic Mike DeGagne described the song as "a turbulent ride of clean-cut guitar and up-and-down piano that comes off as well-crafted pop with a bite."