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In art history, "Old Master" (or "old master") [1] [2] refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way.
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), [1] was a master painter who, along with Jan van Eyck, initiated the development of early Netherlandish painting, a key development in the early Northern Renaissance.
The painting was sold in November 2017, [1] [2] through the auction house Christie's in New York City. ... Old master paintings had previously dominated the market. [3]
Federico Zuccari, Two Painter's Apprentices, 1609. They would have to produce a masterpiece to become masters at the end of their apprenticeships. Originally, the term masterpiece referred to a piece of work produced by an apprentice or journeyman aspiring to become a master craftsman in the old European guild system. His fitness to qualify for ...
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
For sixty years he was the undisputed master of Venetian painting. Assumption of the Virgin , 1516–1518; it took Titian more than two years to complete this painting in the Frari church in Venice In 1516, he completed his famous masterpiece, the Assumption of the Virgin , for the high altar of the Basilica di Santa Maria Gloriosa dei Frari ...
Dali also celebrated the master in The Ghost of Vermeer of Delft Which Can Be Used As a Table, 1934. Han van Meegeren was a 20th-century Dutch painter who worked in the classical tradition. He became a master forger, motivated by a blend of aesthetic and financial reasons, creating and selling many new "Vermeers" before turning himself in for ...
In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. [14] According to Vasari, Raphael's father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother".
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