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The Nutcracker (2011) grand pas de deux. A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an entrée (introduction), an adagio, two variations (a solo for each dancer), and a coda (conclusion). [1]
Tchaikovsky Pas de Deux [a] is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of Swan Lake (Op. 20, 1875–76). [2] With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New ...
The famous Grand Pas de Deux from the ballet's final scene was staged in the West as early as the 1940s, given first by the Ballet Russe de Monte-Carlo. The first full-length production mounted outside of Russia was a completely new staging, produced and choreographed by Ninette de Valois for The Royal Ballet in 1950.
Petipa created the pas de deux to music by Ludwig Minkus, ballet composer to the St Petersburg Imperial Theatres. The piece was a standard pas de deux classique consisting of a short entrée, the grand adage, a variation for each dancer individually, and a coda.
In a grand pas classique, classical ballet technique prevails and no character dances are included. A grand pas de deux serves as the pièce de résistance for the principal male and female characters of a full-length ballet. A grand pas danced by three or four dancers is a grand pas de trois or grand pas de quatre, respectively.
Coda No.26 Pas de caractère – Chaperon Rouge et le Loup. Interpolation: Pas de caractère – Cendrillon et Prince Fortuné; No.27 Pas berrichon – Le Petit Poucet, ses frères et l'Ogre No.28 Grand pas de deux a. Entrée (only the first eight bars were retained) b. Grand adage. Interpolation: Danse pour les Fées d'Or et de Saphir in 6
The 1895 Petipa/Ivanov/Drigo revival of Swan Lake is a famous version of the ballet Swan Lake, (ru. Лебединое Озеро), (fr. Le Lac des Cygnes).This is a ballet by Pyotr Ilyich Tchaikovsky based on an ancient German legend, presented in either four acts, four scenes (primarily outside Russia and Eastern Europe), three acts, four scenes (primarily in Russia and Eastern Europe) or ...
This arrangement was initially commissioned by Lucia Chase, the founding director of the Ballet Theatre, in January 1941.The commission consisted of a short arrangement of the four parts composing the No. 25, Pas de deux de l'Oiseau bleu et la Princesse Florine, in Act III of Tchaikovsky's The Sleeping Beauty.