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Wolfgang Amadeus Mozart's Piano Sonata No. 1 in C major, K. 279 / 189d , is a piano sonata in three movements. Except for the first part of the opening movement, it was written during the visit Mozart paid to Munich for the production of La finta giardiniera from December 1774 to March 1775. [1] Although Mozart is known to have written at least ...
Violin Sonata No. 29 in A major, K. 402/385e -2 movements (incomplete)-(1782, completed by Maximilian Stadler) Violin Sonata No. 30 in C major, K. 403/385c -3 movements (incomplete)- (1782, completed by Maximilian Stadler )
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
The Piano Sonata No. 11 in A major, K. 331 / 300i, by Wolfgang Amadeus Mozart is a piano sonata in three movements. The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332). [1] The third movement of this sonata, the "Rondo alla Turca", or "Turkish March", is often heard on its own and regarded as one of Mozart ...
While the first-movement form had been the subject of theoretical works, it was seen as the pinnacle of musical technique. Part of the training of 19th-century composers was to write in sonata form and to favor sonata form in the first movement of multi-movement compositions, like symphonies, piano concertos, and string quartets.
The first movement is in sonata form and is generally lively in character. It begins in the key of B ♭ major and eventually cadences on the dominant, F major. The development section starts in F major and modulates through several keys before recapitulating on the tonic.
1763 Mozart portrait. Wolfgang Amadeus Mozart's first four sonatas for keyboard and violin, K. 6–9 are among his earliest works, composed between 1762 and 1764. They encompass several of Mozart's firsts as a composer: for example, his first works incorporating the violin, his first works with more than a single instrument, his first works in more than one movement and his first works in ...
The first theme appears again followed by a coda and finally ends in C major. The finale was transposed to F major and combined with a solo piano arrangement of the second movement of the violin sonata in F major to form the posthumously compiled and thus spurious Piano Sonata in F major, K. 547a.