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After his death, King Minos became a judge of the dead in the underworld alongside Rhadamanthus and Aeacus. Archeologist Sir Arthur Evans used King Minos as the namesake for the Minoan civilization of Crete. The Minoan palace at Knossos is sometimes referred to as the Palace of Minos though there is no evidence that Minos was a real person. [1]
The modern term "Minoan" is derived from the name of the mythical King Minos, who the Classical Greeks believed to have ruled Knossos in the distant past. It was popularized by Arthur Evans, possibly drawing on an earlier suggestion by Karl Hoeck. It is a modern coinage and not used by the Minoans, whose name for themselves is unknown.
Herodotus wrote that Minos, the legendary king of Knossos, established a thalassocracy (sea empire). Thucydides accepted the tradition and added that Minos cleared the sea of pirates, increased the flow of trade and colonised many Aegean islands. [10] Other literature describes Rhadamanthus as the mythological lawgiver of Crete.
The Prince of the Lilies, or the Lily Prince or Priest-King Fresco, ... The Palace of Minos at Knossos, Book 1 page 8, 272; Sinclair Hood, The Minoans (1971), image 43;
The 14 Most Powerful Mythical Creatures, Ranked Bettmann - Getty Images ... the one who flew too close to the sun—built a maze to contain it at the behest of King Minos, Pasiphaë’s husband. ...
With the riddle solved, Minos realized that Daedalus was in the court of King Cocalus and insisted he be handed over. Cocalus agreed to do so, but convinced Minos to take a bath first. In the bath, Cocalus' daughters killed Minos, possibly by pouring boiling water over his body. [46] In some versions, it is Cocalus that kills Minos in the bath ...
The Throne Room was a chamber built for ceremonial purposes during the 15th century BC inside the palatial complex of Knossos, Crete, in Greece.It is found at the heart of the Bronze Age palace of Knossos, one of the main centers of the Minoan civilization and is considered the oldest throne room in Europe.
The circle of lust introduces Dante's depiction of King Minos, the judge of hell; this portrayal derives from the role of Minos in the Greek underworld in the works of Virgil and Homer. Dante also depicts a number of historical and mythological figures within the second circle, although chief among these are Francesca da Rimini and Paolo ...