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Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
Osmo Tapio Räihälä: A Sensuous Encounter in the Eastern Garden, for two solo violins and orchestra (2023) Pablo de Sarasate : Navarra , Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.)
Compositions for violin and piano that are not violin sonatas. Pages in category "Compositions for violin and piano" The following 48 pages are in this category, out of 48 total.
The violin is primarily used as support for a vocalist, as the sound of a violin complements that of the singer, but is also largely played solo. In solo violin concerts, the violinist is accompanied by percussion instruments, usually the tabla, the mridangam and the ghatam. The violin is also a principal instrument for Indian film music. V.
Sonata for violin and piano (1946) Sonata for violin solo (1977; revised 1992) Sonatina for violin and piano (1979) [from the opera Pollicino] Paul Hindemith. Sonatas for violin solo, and four with piano; C. René Hirschfeld. Sonata concertante for violin and piano (2006) Vagn Holmboe. Violin Sonata No. 1, M. 82, 1935; Violin Sonata No. 2, M ...
In the years leading up to World War I Falla was living in Paris where he began this work as a set of nocturnes for solo piano in 1909. On the suggestion of the pianist Ricardo Viñes he turned the nocturnes into a piece for piano and orchestra. The influence of French composers such as Debussy and Ravel can be seen in the music. [1]
Fauré in 1907. The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. [1] His compositions for piano, written between the 1860s and the 1920s, [n 1] include some of his best-known works.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.