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A figure study is a drawing or painting of the human body made in preparation for a more composed or finished work; [1] or to learn drawing and painting techniques in general and the human figure in particular. By preference, figure studies are done from a live model, but may also include the use of other references [2] and the imagination of ...
Study of a Kneeling Nude Girl for The Entombment, Michelangelo, c. 1500–1501. Study of a Kneeling Nude Girl for The Entombment is a drawing of c. 1500–1501 by Michelangelo, now in the Louvre Museum. It is in black chalk, with pen and ink and white highlighting, on pink prepared (coloured) paper, and measures 26.6 cm x 15.1 cm.
Three sketches of Leda by Leonardo exist: Leda and the Swan, pen and ink and wash over black chalk on paper, 160 x 139 mm. 1503–1507, Devonshire Collection, Chatsworth (pictured) Study for kneeling Leda, black chalk, pen and ink on paper, 126 x 109 cm. 1503–1507, Museum Boijmans Van Beuningen, Rotterdam
The Missal, by John William Waterhouse (1902), depicts a woman kneeling on a prie-dieu, a piece of furniture with a built-in kneeler. A kneeler is a cushion (also called a tuffet, hassock, genuflexorium, or genuflectorium) or a piece of furniture used for resting in a kneeling position during Christian prayer.
The drawing is related to the painting W27 : Study of the legs of a seated woman: c. 1628: Chalk: 22.6 x 17.6 cm: Rijksmuseum Amsterdam: The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van ...
The painting depicts a woman and a young boy saying grace in a crowded restaurant, as they are observed by other people at their table. [3] Rockwell's inspiration for Saying Grace came from a Saturday Evening Post reader who saw a Mennonite family praying in a restaurant. [1] Rockwell used his son, Jarvis, as one of the models for the painting. [1]
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Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
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