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During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.
In the time of the Man'yōshū (compiled after 759 AD), the term "tanka" was used to distinguish "short poems" from the longer chōka (長歌, "long poems").In the ninth and tenth centuries, however, notably with the compilation of the Kokin Wakashū, the short poem became the dominant form of poetry in Japan, and the originally general word waka (和歌, "Japanese poem") became the standard ...
Up to and during the compilation of the Man'yōshū in the eighth century, the word waka was a general term for poetry composed in Japanese, and included several genres such as tanka (短歌, "short poem"), chōka (長歌, "long poem"), bussokusekika (仏足石歌, "Buddha footprint poem") and sedōka (旋頭歌, "repeating-the-first-part poem").
However, the Japanese have liked composing Tankas with lessons from time immemorial. Later, Ishida Baigan started Shingaku (心学, "heart learning") and used Dōka in his religious movement. Dōka is remembered in everyday life of Japanese.
Kaifūsō : the oldest collection of Chinese poetry written by Japanese poets; Imperial anthologies: advancing the Imperial waka anthologies, the earliest imperial anthologies gathered Kanshi, the Chinese poetry which Japanese learned from the Tang dynasty. Three anthologies were edited in the early Heian period: Ryōunshū
She also has an interest in Noh drama, and her works have been performed at the National Theatre of Japan. [1] Heavenly Maiden Tanka is a collection of her poems translated by Hatsue Kawamura and Jane Reichhold. [2] She has won a number of prizes, including the 45th Yomiuri Prize [3] and the Asahi Prize.
Takuboku Ishikawa (石川 啄木, Ishikawa Takuboku, February 20, 1886 – April 13, 1912) was a Japanese poet.Well known as both a tanka and "modern-style" (新体詩, shintaishi) or "free-style" (自由詩, jiyūshi) poet, he began as a member of the Myōjō group of naturalist poets but later joined the "socialistic" group of Japanese poets and renounced naturalism.
The Wakan Rōeishū (和漢朗詠集, Collection of Japanese and Chinese Poems for Singing) is an anthology of Chinese poems (Jp. kanshi 漢詩) and 31-syllable Japanese waka (Jp. tanka 短歌) for singing to fixed melodies (the melodies are now extinct). [1] The text was compiled by Fujiwara no Kintō ca. 1013.