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Kalinga Pottery and its Uses [4] A jar from the Philippines housed at the Honolulu Museum of Art, dated from 100–1400 CE. In Kalinga, ceramic vessels can be used for two situations: daily life use and ceremonial use. Daily life uses include the making of rice from the pots and the transfer of water from nearby water bodies to their homes.
Earthenware vessels in the Philippines were formed by two main techniques: paddle and anvil, and coiling and scraping. [2] Although a level of highly skilled craftsmanship is present in the Philippines, no evidence of kilns are found, primarily because the type of clay to be found in the archipelago can only withstand relatively low temperatures of firing.
The exchange of pottery in the Kalinga community led to a dominance of kinship in the primary social order. The pottery is exchanged via kinship channels, modeling the Kalinga's social relationships. Therefore, this means that the Kalinga's pottery exchange used social relationships in order to frame their economy. [10]
Examination of some pottery from the Carl E. Guthe Collection developed the idea of the Kalanay pottery complex. [4] The cave was first excavated in 1951 and considerable disturbances were noted pre-excavation. In 1935, there was an earthquake which led to portions of the cave's roof to fall down and pottery scattered around the cave. [5]
Pottery (ceramics, clay, and folk clay sculpture) has been part of Filipino culture for about 3,500 years. [169] Notable artifacts include the Manunggul Jar (890–710 BCE) [170] and Maitum anthropomorphic pottery (5 BC-225 AD). [171] High-fired pottery was first made around 1,000 years ago, leading to a ceramic age in the Philippines. [135]
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The Philippines gained independence from the United States in the 1946, but Beyer continued at his post at the University of Philippines until 1954. [1] In 1949, he was joined by Wilhelm Solheim , who was known in the Philippines for finding various pottery at different archaeological sites.
Jingdezhen, a hub for Chinese ceramic production in Jiangxi, was a main source of high quality porcelain that dominated the international Chinese porcelain market. [2] By the end of the 14th century, primary production sites in Jingdazhen shifted from bluish-white colored wares to predominantly blue-and-white porcelain. [2]