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The album was conceived at band member Steve Marriott's 16th-century rural cottage "Arkesden" in Moreton, Essex, England. Most, if not all, of the material dated back to recordings in the spring and early summer of 1969, when the band recorded as much as three albums' worth of material (the remaining recordings were eventually compiled and released in 1999 on the bands' The Immediate Years ...
The opening track is a cover version of Steppenwolf's "Desperation". The track "Growing Closer" was written by ex–Small Faces keyboardist Ian McLagan , who rehearsed with Humble Pie early on, before deciding to regroup with Small Faces bandmates Kenney Jones and Ronnie Lane as the Faces , joined by newcomers Rod Stewart and Ron Wood .
Printable version; In other projects Wikidata item; Appearance. ... "Easter Song" - 2:38 "Humble Yourself" - 3:58 "Mansion Builder" - 3:10 "Rod and Staff" - 2:58
He recorded songs for Barnaby Records and Warner Brothers during 1970–79. Stevens' biggest hit in the U.S. was his gospel-inflected single " Everything Is Beautiful " (1970). It won a Grammy Award , was the theme song for his summer 1970 TV show, a number one hit on both the pop and Adult-Contemporary charts, and marked his first time in the ...
Included on the group's 1972 album Be Altitude: Respect Yourself, "I'll Take You There" features lead singer Mavis Staples inviting her listeners to seek Heaven.The song is almost completely a call-and-response chorus, with the introduction and bassline being lifted—uncredited—from "The Liquidator", a 1969 reggae hit written by Harry Johnson and performed by the Harry J Allstars.
The 2nd Chapter of Acts began as a result of the trio singing at home together as Annie played the piano. Following the death of their parents (Elizabeth in 1968 and Walter Ward in 1970), [2] Nelly and Matthew, still minors, moved in with their older sister, Annie, and her husband, recording engineer and producer, Buck Herring. [3]
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"Death Don't Have No Mercy" is composed with words and music by Davis. It features techniques of arrangement and performance from his gospel songs, alongside his style of blues guitar. [20] Davis' guitar accompaniment for the song is a relatively simple chord progression, performed in the key of G-flat major.