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In 1949, the following four charts were produced: Best Sellers in Stores – ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country. Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations.
This is a list of Billboard magazine's top popular songs of 1949 according to retail sales. [1] Vaughn Monroe's rendition of "Riders in the Sky" topped the year-end list, while his renditions of "Someday" and "Red Roses for a Blue Lady" also appeared at number 12 and number 21, respectively.
Later the song was also sung by Pat Boone on his Pat Boone-Chevy Showroom from 1957 through 1960. In the mid-1960s, Chevrolet was one of the sponsors for the Los Angeles Dodgers ' radio coverage. When the Dodgers broadcast games on television, Chevrolet commercials were aired in which the song was sung by John Roseboro and Don Drysdale of the ...
Maladie d'amour (song) Mambo No. 5; Mansion Over the Hilltop; The Manuelo Tarantel; A Marshmallow World; May You Never Be Alone; Mele Kalikimaka; Mind Your Own Business (song) Money, Marbles, and Chalk; Moody's Mood for Love; Moscow-Peking; M.T.A. (song) Mule Train; Music! Music! Music! My Foolish Heart (song)
US Billboard 1949 #14, US #2 for 1 weeks, 25 total weeks, 245 points 15: Swing And Sway With Sammy Kaye (Vocal Don Cornell) "Room Full of Roses" [7] RCA Victor 20-3441: March 8, 1949 () May 1949 () US Billboard 1949 #15, US #2 for 1 weeks, 24 total weeks, 220 points 16: Evelyn Knight "Powder Your Face with Sunshine" [17] Decca 24530
Each entry in the "Year" column links to the list of number ones for that particular year. Hank Williams gained his first number one in 1949. Webb Pierce was one of the biggest country stars of the 1950s. George Jones had his first number one in 1959. Connie Smith held the record for the longest run at number one by a female artist for nearly ...
"Lovesick Blues" is a Tin Pan Alley song, composed by Cliff Friend, with lyrics by Irving Mills. It first appeared in the 1922 musical "Oh, Ernest", and was recorded that year by Elsie Clark and Jack Shea. Emmett Miller recorded it in 1925 and 1928, followed by country music singer Rex Griffin in 1939.
The dance could get very sexual in nature when done as a couple dance with the male dancing behind the female, one hand on her waist or hip and the other on her shoulder, gyrating the hips in unison or with shocking variations such as when the female dancers would lie down on their backs and the male dancers would stand over the center of her ...