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Russian title Director Cast Genre Notes All Inclusive: All inclusive, или Всё включено! Edouard Radzyukevich: Mikhail Bespalov: Comedy: Berry-Strawberry: Ягода-Клубника: Piotr Pałgan: Elena Frolova, Konstantin Nikitin, Irina Krestyaninova: Comedy: Boris Godunov: Борис Годунов: Vladimir Mirzoyev: Maksim ...
The Fool (Russian: Дурак, romanized: Durak) is a 2014 Russian crime drama film written and directed by Yuri Bykov. It had its international premiere at the 2014 Locarno International Film Festival, where it won the Best Actor Award (Bystrov). This is the third film of writer and director Yury Bykov.
Russian empire Yolki 1914: Ёлки 1914 2014 1914 Admiral: Адмиралъ 2008 1914–1917, 1964 World War I, Russian Revolution, Russian Civil War: Aleksandr Kolchak: Matilda: Матильда 2017 1890–1896 Matilda Kshesinskaya and Nicholas II Wild League: Дикая Лига 2019 1909 Raspoutine: Распутин 2011 1916 Grigori Rasputin
Russian Title Director Cast Genre(s) Notes December 17, 2011: Sapsan, I Love You: Сапсан, я люблю тебя: Igor Abidov: Viktor Shuralev Viktoria Zabolotnaya Olga Prikhodko: Melodrama [1] January 2: My Boyfriend Is an Angel: Мой парень – ангел: Vera Storozheva: Artur Smolyaninov Anna Starshenbaum Sergei Puskepalis ...
The Russian film industry produced over one hundred feature films in 2014. This article fully lists all non-pornographic films, including short films, that had a release date in that year and which were at least partly made by Russia. It does not include films first released in previous years that had release dates in 2014.
Russian drama road movies (1 C, 11 P) Russian romantic drama films (1 C, 60 P) S. ... The Hunter (2011 Russian film) Hypnosis (2020 film) I. I Believe! In Deep Sleep;
Pages in category "Russian romantic drama films" The following 60 pages are in this category, out of 60 total. This list may not reflect recent changes. 0–9.
This is a chronological list of melodrama films.Although melodrama can be found in film since its beginnings, it was not identified as a particular genre by film scholars—with its own formal and thematic features—until the 1970s and 1980s, at a time when new methodological approaches within film studies were being adopted, which placed greater emphasis on ideology, gender, and ...