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Any aesthetic doctrines that guided the production and interpretation of prehistoric art are mostly unknown. An indirect concern with aesthetics can be inferred from ancient art in many early civilizations, including Egypt, Mesopotamia, Persia, Greece, China, the Etruscans, Rome, India, the Celtic peoples, and the Maya, as each of them developed a unique and characteristic style in its art.
The art of ancient Greece is usually divided stylistically into four periods: the Geometric, Archaic, Classical, and Hellenistic. The Geometric age is usually dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years, traditionally known as the Greek Dark Ages.
An artistic canon of body proportions (or aesthetic canon of proportion), in the sphere of visual arts, is a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art. The word canon (from Ancient Greek κανών (kanṓn) 'measuring rod, standard') was first used for this type of rule in Classical ...
For the visual system of chitons, see Aesthete (chiton). For the group of poets, see Harvard Aesthetes. Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions.
The art of Mesopotamia has survived in the record from early hunter-gatherer societies (8th millennium BC) on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Age by the Neo-Assyrian and Neo-Babylonian empires. Widely considered to be the cradle of civilization ...
1920s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; Photographs from the 1920s taken by photographer, Henry Walker at the University of Houston Digital Library Archived 2010-06-25 at the Wayback Machine "1920s - 20th Century Fashion Drawing and Illustration". Fashion, Jewellery & Accessories.
Yorùbá people. Much of the art of the Yoruba, including staffs, court dress, and beadwork for crowns, is associated with the royal courts. The courts also commissioned numerous architectural objects such as veranda posts, gates, and doors that are embellished with carvings. Other Yoruba art is related shrines and masking traditions.
Camp is an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value. Camp aesthetics disrupt many of modernism's notions of what art is and what can be classified as high art by inverting aesthetic attributes such as beauty, value, and taste through an invitation of a different kind of apprehension and consumption.
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