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The work is composed of three movements: [2] Allegro spirituoso; Andante; Rondo: Allegretto; Full performances last about 22 minutes. [2]Charles-David Lehrer believed that the first movement of the concerto was similar to the oboe concertos of Johann Christian Fischer, Johann Christian Bach, and Carl Stamitz, also arguing that it was similar in structure to the Johann Stamitz and Carl Philipp ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
He began playing the oboe and musette (a bagpipe-like instrument commonly used in French baroque music) in the Paris Opera orchestra in the 1720s. After Jean Hotteterre's death in 1732, he took over his post in Les Grands Hautbois, the royal oboe band. He retired from the opera in July 1748, though returned occasionally to play the musette there.
The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. [1] The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic ...
The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, [1] when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703.