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This Megatron, later called Galvatron, is a heroic mirror image of the usual Megatron character from the BotCon exclusive "Shattered Glass" comic, in which the Decepticons are on the side of good and the Autobots on the side of evil.
Optimus then leads his companions on a quest to liberate the sparks Megatron had taken. After several failed attempts, he manipulates Megatron into allowing him to learn the location of the sparks. Optimus and the Maximals seemingly defeat Megatron, only for Megatron to return, leading his drones to extract the sparks of all except Optimus.
Following the 2010 season, Johnson was the recipient of the Lions/Detroit Sports Broadcasters Association/Pro Football Writers Association (Detroit Chapter) Media-Friendly Good Guy Award. Johnson was ranked 27th by his fellow players on the NFL Top 100 Players of 2011. [120] Calvin Johnson on January 1, 2012, playing against the Green Bay Packers
Killed by Megatron in gun mode, held by Starscream, in The Transformers: The Movie. Don Messick, Wally Burr ("Masquerade" episode only) Dead Ratchet was the best tool-and-die man on Cybertron, and is the Autobots' chief medical officer. [11] In his workbay on Earth he can make anything from a pin to a missile.
“Transformers One” director Josh Cooley wanted an end credits song that captured the tone of his new animated feature. He had already enlisted composer Brian Tyler to compose the film’s ...
Megatron also remembers the many times Optimus Prime, the Autobots' leader, got him out of jail after several protests, hoping for him to join the Autobots, to no avail. Starscream asks Megatron to regain leadership, but the latter refuses, feeling guilty of the destruction that Optimus caused on Earth in his search for rare energon.
The relatively young man, known as Megatron when he was a Detroit Lions receiver, plans to make the most of a post-playing career. ... but at the same time somebody that is just a genuinely good ...
The relationship between Optimus Prime and Megatron and the tragedy of their falling out is the emotional core of the film. For Cooley, it was important to show that Megatron was not just a villain. He wanted people who did not know Transformers to come into the film and not be able to immediately pick up who was going to be good or bad. [24]