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Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
The song "Ode to Mel Bay" (written and first recorded by Michael "Supe" Granda of the Ozark Mountain Daredevils and featured on the album The Day Finger Pickers Took Over the World by Tommy Emmanuel and Chet Atkins), is a light-hearted song about Mel Bay's encyclopedia of guitar chords and the books in general.
The son of George Spence MP QC, Spence was born at Pall Mall, London and educated at Westminster School and Corpus Christi College, Cambridge, winning the Carus Prize in 1862 and 1866, and the Scholefield Prize in 1866, and graduating B.A. 1865, M.A. 1868, D.D. 1887. [3] He was ordained deacon in 1865 and priest in 1866. [4]
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
They all had been members of the St. Michael's Choir School in Toronto, [3] which also spawned another famous quartet, The Four Lads.Maugeri, John Perkins, and two others (Bernard Toorish and Connie Codarini) who later were among the Four Lads first formed a group called The Jordonaires (not to be confused with a similarly named group, The Jordanaires, that was known for singing backup vocals ...
Hold On, We're Strummin' is an album by American musicians David Grisman and Sam Bush. It features Grisman and Bush on a number of different instruments. They are accompanied by Sam Grisman, members of the David Grisman Quintet, and other guests. [3] [1]
Woods's first songwriting success came in 1923 with the song "I'm Goin' South", written with Abner Silver. It became a hit song in 1924 for Al Jolson. The same year, "Paddlin' Madelin Home" was published, with words and music by Woods. With Mort Dixon and Billy Rose, Woods composed "I Wish't I Was in Peoria", now a Dixieland jazz standard, in 1925.
By the end of 1969, the Nice keyboardist Keith Emerson and King Crimson bassist/vocalist Greg Lake were looking to leave their respective groups and form a new band. The pair first met in New York City and discussed the possibility of forming one together; they met again in December 1969 when the Nice and King Crimson were billed together for concerts at the Fillmore West in San Francisco.